beltane border morris
“Think Morris dancing is all bells and hankies and tea with the vicar? Think again.
Welcome to the Dark Side of Folk
”
We are Beltane Border
“Tradition is not the worship of ashes, but the preservation of fire”
With dances emerging from the myths, legends and wilds of Dartmoor, Beltane prove that morris dancing can be older than tradition. With shadowed faces, tattered coats and black top hats, the musicians and dancers drum up the energy of the moor and share something ancient and mysterious with all who watch.
Beginning as all-female side ‘The Iron Maidens’ in 2000, we are still ‘women with attitude’(our motto!) and dance in the border morris style using sticks (never hankies!). We have adapted some traditional border morris dances with the obligatory Beltane fire, but most of our repertoire is self-penned. We write new dances together over the winter with our musicians seeking out the best tune to suit the mood and style of the dance. Our musicians play mainly traditional tunes adding their own arrangements to give them the Beltane edge.
Music, dance and fiery energy come together to create a truly exceptional and extraordinary performance; loved and appreciated by morris and non-morris folk alike.
We are Beltane Border Morris.
Why we disguise ourselves while we dance…
The use of facepaint is a form of disguise that relates to performing (dancing or mumming) by the labouring classes to raise money. It enabled performers to go unrecognised and avoid being victimised by their landlords or prosecuted for begging. The disguise also taps into deeper traditions of anonymity, mystery, the supernatural, eeriness, and the dark side.
However, there is a much more sinister side to the use of face paint. In 1722 the Criminal Law Act introduced over fifty new capital offences onto the statute book. This Act, known as the "Black Act" was in response to poaching, in particular those who went poaching with darkened faces, so as to not alert the gamekeepers. After the Black Act, you could be hanged not only for poaching, fishing in a private pond, damaging a hedge and many similarly minor crimes, but also simply for the act of disguising itself. In other words, if Beltane had tried to perform in 1723 we would have ended up on the gallows.
This is at the heart of why later performers disguised their faces: It is a way of remembering the oppression of the past, remembering those who had been executed (or if lucky, transported for life) for poaching, to provide food for their starving families.
There is a real political edge to our disguise. It is a way of bearing witness to the dreadful treatment of the dispossessed labouring classes.
Though we now use the mercurial colours of nature in our face paints, the spirit of our disguise is as important to us as it has ever been.
Beltane live
Come and see us perform live at a pub out on Thursday evenings during the summer, or at one of the summer festivals anywhere in the country (also see our LIVE section for full details). We hibernate in the winter to train up new dancers, write new dances, emerging only for special winter occasions such as the Wassail in January.
———Click on the pictures for event details———
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